Watercolour field studies, naturalist illustration, and small printed editions — painted slowly from a courtyard studio in the Algarve.
Each plate begins outside, ends in print. The studio does not skip the middle, even when asked to.
Two weeks in the field. Sketchbooks, gouache notes, photographs only as memory aids.
Studio painting on cold-press paper. Watercolour first, gum arabic last. No digital colour.
Letter-press partner in Faro. Each edition signed and numbered before leaving the courtyard.
Inés sees the bird before she sees the page. The studio still smells of damp paper and gum arabic when work arrives.
The studio takes about twenty plates a year, plus one book. Each begins with a phone call, never a deck.
Painted a swift today. The first this year — the windows were finally open.
Garden Birds in proof. Twelve plates, three more than I planned.
Two weeks in the Camargue with the field kit and a small notebook.
Eight Ferns sold out in seventeen days. A small reprint coming.
Most plates begin with a poorly-photographed leaf, a memory of a bird, or a question. Drop a line — I will write back, slowly.